While mastering is important regardless of the release format, it’s absolutely crucial for projects destined for vinyl. And let me say this first: mastering is not a black art, nor is it just about compressing music to death or adding Read More…

Our friends at Revolution 360 were kind enough to interview Adam about life, love, and mastering into the future. Well, pretty much just about mastering, but still… check it:

Revolution 360: Analog Talk

The other day, I did something in a project that I NEVER do: I performed a 10dB narrow-Q boost at 55 Hz. In a mastering session. (Please, stifle your gasps for the time being.) The track I was working on Read More…

This week, we’re talking with Steve Anderson, head of LOW LIGHT RECORDS and member of the NY-based freak-out rock collective SUMMER PEOPLE…

This week, we’re speaking with DJ and experimental musician Mike Textbeak. Mike’s been on the forefront of insanely esoteric and dark electronic music since the early 90′s…

This week, we’re talking with Rae DiLeo. Rae’s got a pretty incredible history– recording hardcore bands in Boston…

This week, we have engineer Mike McDonald. Mike has recorded some of the best rock bands in Cleveland…

First up, Travelogue: the (mostly) synth-based musical outlet of Jon Sonnenberg and Amanda Spayd…

Got to hang out today at Well Made Music while the lacquers were cut for the Summer People’s “Teamwork” vinyl…

Here is part two of the ProAudioFiles interview, including some choice mastering folks (and, um, Adam from Cauliflower Audio):

http://theproaudiofiles.com/mastering-roundup-mastering-in-a-changing-industry/